Cyprien Tokoudagba (1939-2012) was born in Abomey to an artisan family. His formal education ended after primary school. It became clear early on where his future lay: “At school, all I could do was draw, and the teacher often praised me and paid me compliments. It’s a gift I had. I could do whatever I wanted with my hands”.

Tokoudagba’s early work consisted of decorating the walls of the vodoun temple in the compound of his family home after serving in the army. The subjects, first as murals and later on canvas, were representations of vodoun, their characteristic patterns and colours, their symbols, and occasionally popular sayings or historical scenes, such as the beheading of the miscreant Yahaze during the reign of the seventeenth-century King Akaba. In 1990 it transferred from a Tokoudagba home mural to one of his early canvases.

'Cyprien Tokoudagba self-taught drawing and cement sculpture before being noticed for his decorating skills. Immersed in voodoo (vodun) and the deity of water Tôhôssou, he was sought after by voodoo priests to adorn temples in Benin, Togo, Ghana and Nigeria. In 1987, he was named as the conservator of the Museum of Abomey. He was quickly discovered by André Magnin and then by the European public after exhibiting in Les Magiciens de la Terre (1989) at the Centre Georges Pompidou, and eventually developed his practice into painting on canvas to enter the art market.' (source: KADIST)

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